Shooting in Layers: Insights by humanitarian photographer Anna Lusty
If you join one of our humanitarian photography workshops, youâll have the privilege of learning from Anna Lusty, a photographer whoâs specialized in telling the stories of field-based nonprofits through her images. Based in South Africa, Anna travels across the African continent to document the work of social impact initiatives, so that the organizations have the right visual tools to reach potential donors. Thereâs a skill to doing this in a way that provides the most benefit to the nonprofits, and Anna has developed a layered approach to it.
âI like to shoot in layers to tell a story with depth and connection,â Anna explains. âWhen I approach a project, I strive to create a series of images that go beyond a single subject or momentâI want to capture the full story. Shooting in layers allows me to add depth and context, drawing the viewer into the scene and helping them feel connected to the people and environment. This approach is especially valuable when fulfilling a brief that requires a nuanced narrative, ensuring that every image not only informs but also evokes emotion and engagement.â
As an example of this approach, Anna shares a series of images from one of her recent shoots – one where she was commissioned to capture the essence of the informal Clanwilliam, on the outskirts of Cape Town. The goal of the images was to capture the feel of the place, its people, character, and daily life – and to emphasize the current challenge the community is facing with rubbish. Here are some results of that shoot, and Annaâs explanations of how she used her âshooting in layersâ technique.